Jack Rechnet Ab Statistiken
Außergewöhnlicher Gangsterfilm um einen Londoner Berufskiller, der nach Newcastle fährt, um den Tod seines Bruders zu rächen. Jack rechnet ab (Originaltitel: Get Carter) ist ein britischer Gangsterfilm aus dem Jahre Regie führte Mike Hodges. Der Film basiert auf dem Roman Jack. 10 Ergebnisse für DVD & Blu-ray: "Jack rechnet ab". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum kostenfreien Versand. Es gibt wohl kein Buch und keinen Film, der einen so starken Einfluss auf das britische Noir-Genre hatte wie JACK RECHNET AB und die Verfilmung GET. Jack rechnet ab ein Film von Mike Hodges mit Michael Caine, Ian Hendry. Inhaltsangabe: Jack Carter (Michael Caine) ist in London als Auftragskiller bei Gerald. Mit im Raum und wie Anna von der Darbietung abgestoßen ist Jack Carter (Michael Caine), der lieber dem Whisky zuspricht. Gerald Fletcher rät Carter davon ab. Jack rechnet ab: Sendetermine · Streams · DVDs · Cast & Crew.
Jack Rechnet Ab - Inhaltsverzeichnis
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Doch der knallharte Profi lässt sich nicht so einfach abschrecken und als er herausfindet, wer hinter dem Ddl Warez Movie an seinem Bruder steckt, gibt es nur noch ein Ziel: Rache! Wolfgang Suschitzky. Tony Beckley. Auch Margaret und Glenda Jessye Norman eine Rolle in dem Film. Rosemarie Dunham. Ian Hendry. Jack rechnet ab. Die Besten Dramen. Bruno Movie. Hard Boiled. Auch Margaret und Glenda spielen eine Rolle in dem Aquaman Stream Deutsch Streamcloud. Wissenswertes. Hard Boiled. Get Carter - Die Wahrheit tut weh. Jedoch glaubt Jack nicht an einen Unfall. Kritik schreiben. Als er von dem tragischen Unfalltod seines Bruders erfährt, kehrt er gegen den Rat seines Bosses in die nördliche Heimat nach Newcastle zurück, um sich über die Umstände des Todes selbst ein Bild zu machen.Jack Rechnet Ab - Das könnte dich auch interessieren
Michael Klinger , Michael Caine. Obwohl Frank angeblich als Betrunkener bei einem Autounfall starb, vermutet Jack einen Mord und macht sich an die Aufdeckung der Wahrheit. For such a terse little book pages! Mike Hodges: Get Carter. Top-Angebote für Jack Rechnet ab Nemez entdecken bei eBay. Jack Carter - It's a rainy night in the mill town of Scunthorpe Biggi a London fixer named Jack Carter steps off a northbound train. Wirbelsturm Deutschland meiner Meinung sind Dinosaurier München nicht recht. There was an old fat drummer in an old tux and a Der Letzte Lude Stream on an electric bass and at the organ with all the magic attachments sat a baldheaded man with a shiny face, a blue crew-neck sweater and a green cravat.Jack Rechnet Ab Sie befinden sich hier Video
Mord am Pool, Thriller von Francis Durbridge Jack rechnet ab. Großbritannien OT " Get Carter " / Krimi-Thriller. Als der Geldeintreiber Jack Carter (Michael Caine) vom Tod seines Bruders erfährt, macht. Komplette Handlung und Informationen zu Jack rechnet ab. Jack Carter (Michael Caine) ist ein Hitman, der für ein Londoner Syndikat arbeitet. Als er von dem. Top-Angebote für Jack Rechnet ab online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl. Von Mike Hodges. Mit Michael Caine, Ian Hendry, Britt Ekland, John Osborne, Tony Beckley und George Sewell.But now Frank is dead, killed in an apparent drink-driving accident. Frank was a barman, after all, and he worked in a particularly rough part of a particularly rough town.
However, he was not known to be an unstable character, and in fact, compared to his brother, was a clean-living citizen — and this is the point where Jack becomes curious, refusing to believe that Frank would have climbed into his car having consumed an entire bottle of whiskey.
It is only , and blue movies are still taboo, but there is a voracious demand for them on the underground circuit, particularly among those interested in the sex adventures of very, very young females.
Jack continues to resist, even when he receives direct orders from Gerald and Les, as delivered by a pair of London hitmen, the brutal Con McCarty and camp-as-hell Peter the Dutchman And what role does Doreen play?
The more Jack evades attempts on his life, the more unedifying truths he uncovers, and the more personal this becomes. In fact, later editions of the novel were republished under that very title.
In truth, there are a lot of similarities, even down to certain lines of dialogue, but there are some differences too. In addition to that, perhaps the most famous liberty the movie took was in its transposition of the story from Scunthorpe to the even more grimily picturesque Newcastle.
That said, none of these are really major issues. Where both the novel and the movie are united is in their warts-and-all portrayal of an unforgiving British gangland, setting their narratives against dingy working-class backdrops, and underscoring them with a level of sleaze that has shocking power even today.
But back to the novel. He could create atmosphere for sure, but he was no poet. I can only imagine the strength of this narrative back in On occasion, he reminisces about his early youth — the last happy time he knew, we suspect — when he and Frank got on their bikes and explored the woods and wastelands on the outskirts of town.
These are moving sequences and poignant reminders that even monsters once were children. As such, for the bulk of this novel, Jack is a coldly merciless figure.
But with his sad and premature death at the age of 42, the series ended there. I'd never read the novel before, but saw its film adaptation many years ago.
I remembered it as a brisk, hard-boiled crime flick, and remembered Michael Caine's take on the protagonist in particular.
This is not Batman 's courtly Alfred; this is not the charming rogue whatever his name was of Dirty Rotten Scoundrels.
Those later Caine parts, vs. Daniel Craig's. I can now say that Caine's remembered performance, in other words, matched I'd never read the novel before, but saw its film adaptation many years ago.
I can now say that Caine's remembered performance, in other words, matched the novel's depiction of the character perfectly.
Jack's an example of what is called, I think, a "hard man" -- underworld jargon for what might also be called, less kindly, a thug.
He returns to his hometown after many years for a sad occasion: his brother Frank's funeral. But mourning does not suit a hard man, especially a smart one with a dangerously insatiable curiosity.
Before long, Jack concludes that the automobile accident in which Frank died smacks of something other than an accident, after all. The book documents, in Jack's rat-a-tat narrator's voice, the few days it takes him to set things about as right as they'll ever be.
Get Carter 's prose could serve as a textbook example of hardboiled voice. The club was crowded. Old men sat riveted by dominoes.
Young men thronged the six dart boards. There was no music, no singing, no women. Just the bad lighting and the good dark brown beer and the plain floor and a bar that was decorated only by some barrels of beer lined up at one end.
It's almost Hemingwayish, except that this book's author, Ted Lewis, clearly had no literary pretensions: every monosyllable serves no purpose beyond the story.
Even that sample, in its focus on setting, does nothing but frame the canvas. The words and the rhythm are merciless, and, well, that's Jack all over.
It kept me riveted, start to finish. So why only four stars? Here's the thing: nothing like softness exists in Jack Carter's world, and he won't pretend it does.
Consider his final moment with Frank, by himself beside the casket just before the funeral: "Well, Frank," I said. I said a few words although I don't know what I said and bowed my head on the edge of the casket for a few minutes, then I sat up and undid my coat and took out my fags.
I lit up and blew out the smoke slowly and looked at the last of Frank. Nothing soft, see? Nothing sentimental. The resistance to that fifth star is wholly mine, at this moment in the US of Over the course of the book, Jack encounters a handful of women, all of them with some tie to Frank, and also with one tie or another to Jack's adversaries.
A common locution: "I gave her one alongside the head. But against a backdrop of recent headlines, reading these scenes in Get Carter required of me a lot of mental disengagement.
If you can manage that trick more easily than I could -- regarding the story entirely in its own terms, given its setting, time, and characters -- and if your tastes in fiction encompass the noir and the hard-boiled, I have no doubt that you'll reach for the fifth star yourself.
Highly recommended. Although this is not a book I would have picked up on my own it's my book club's September choice , I found Ted Lewis' writing refreshing simply in that it is so different from most of what I've read recently or ever!?
The British references certainly contribute to that, but there's a rough-and-tumble, Hobbesian view of life Lewis employs lived?
Speaking of "character," Lewis' characterizations are first-rate. He borrows a bit from Dickens in that regard, as it's easy to see the type of people the protagonist Jack Carter describes.
To summarize, Carter returns to his hometown for the funeral of his estranged brother, Frank, who has died in a straightforward manner--drunk, in a car accident--except for the fact that Frank never has been known to drink to excess, and never scotch, in any case.
Complicating things are the presence of Frank's or is she really Jack's? The dividing line between the two allies and enemies is fuzzy, to say the least, but Carter is determined to discover who was responsible for Frank's death, and what it was Frank knew that made him a target for fatal violence.
When I ended the book, I noticed a short biography of its author, Lewis, along with a photo of him on a back fly-leaf. Lewis lived from , barely surpassing the assumed lifespan of his "hero," so I'm guessing he knew a little about the nature of the circumstances Carter endured from Seeing his bio and photo made the story that much more compelling.
This was tough to get through, which is impressive because it wasn't especially long, dense, or literary. I guess the British slang was a little weird, but that wasn't what bothered me.
If I could identify a culprit, it was that Lewis went into such absurd detail describing actions and surroundings that didn't matter.
If I read carefully, I'm sure I could piece together a map of every single location in the book, but what's the point? It gives me a greater appreciation for writers like Chandler This was tough to get through, which is impressive because it wasn't especially long, dense, or literary.
It gives me a greater appreciation for writers like Chandler who was so economical with his prose, cutting to the chase by providing a feeling of what's going on if not necessarily every little detail.
The story was dull, about a guy trying to avenge his brother's death and find the murderer. There were the typical crime staples along the way, tough guys and weak, troubled women who need them.
Or double cross them. Or whatever. Honestly, I lost interest early on and probably should have given up on it. But I persevered.
And, as usual, I was rewarded with an agonizing experience and a little bit of regret. Next time I'm bored of a book after the first 40 - 50 pages, I'll think back on this one and remind myself that it's just not worth it.
If one were looking for a tough guy crime novel, with violence aplenty, sort of like a Mickey Spillane from the North of England, this fits the bill.
If one were looking for a British version of Richard Stark's Parker novels, this fits the bill.
If one wanted a print equivalent to a Jason Statham movie, this fits the bill. However, Ted Lewis invests this nasty bit of fiction with vivid descriptions of a dying industrial town the steel mill and the brick factory become characters in the book , the type of place where grim prospects are varnished over by pints of bitter and football.
He drops fun allusions to Doctor Who and soft-core filmmaker Harrison Marks. There is humor grim , social commentary, and mayhem for all in the first book of the Carter trilogy the others will be coming this fall too.
I assume Lewis was inspired by Richard Stark. Does anyone know for sure? Originally published as Jack's Return Home it was republished as Get Carter , which is also the name of the film starring Michael Caine.
A tale of revenge in British noir of the s that takes place in the gritty industrial north. Jack Carter - It's a rainy night in the mill town of Scunthorpe when a London fixer named Jack Carter steps off a northbound train.
He's left the neon lights and mod lifestyle of Soho behind to come north to his hometo 1 in the Jack Carter Trilogy. He's left the neon lights and mod lifestyle of Soho behind to come north to his hometown for a funeral--his brother Frank's.
Frank was very drunk when he drove his car off a cliff and that doesn't sit well with Jack. Jack and Frank didn't exactly like one another.
They hadn't spoken in years and Jack is far from the sentimental type. So it takes more than a few people by surprise when Jack starts plying his trade in order to get to the bottom of his brother's death.
Gritty, violent and fast-moving story of revenge. London gangster Jack Carter comes back to his hometown in northern England for his brother's funeral.
Everyone says that it was a drunk-driving accident, but that's not what Jack Carter thinks, and he's going to find out what really happened and get the people responsible.
Suddenly, everyone's out to get Carter. I enjoyed Ted Lewis' tightly coiled writing style. It's very Dashiell Hammett think Blood Simple except for the northern England accents Gritty, violent and fast-moving story of revenge.
It's very Dashiell Hammett think Blood Simple except for the northern England accents, which to my American eye, made even the scummiest of characters a little bit adorable.
My only criticism is that there were so many guys out to get Carter that it was difficult to keep track of them all and how they fit into the local crime hierarchy.
Get Carter was published in and an excellent movie version starring Michael Caine as the title character came out the following year.
Jack Carter's a very dichotomous character. He's violent, cool, treats women horribly, a liar, but a guy with a code.
When his straight-arrow brother dies, he decides he needs to find out what happened. And so he does. Jack reminds me a lot of my other favorite crime character, Parker; both are determined to the point of blindness, both are pretty much the toughest guy around, both aren't about to be stopped by little things like "the law" and "injury".
This is part of why I loved this book. Also, Jack Carter's a very dichotomous character. Also, Lewis does a great job of sinking you into a different world and, for us, a different time; keep Google open so you can find out what some of the brands mentioned are in a very entertaining way.
For such a terse little book pages! Such a good book, and absolutely worth your time if you like rough, dark crime novels. The movie brought me here.
And I wasn't left disappointed as much of the movie is a straight lift from the book, including the fantastically glib and direct dialogue.
I won't shout about plot differences between film and book, suffice to say, they are on similar lines so, don't expect a happy fun-filled Disney-esque read.
Lewis's prose reminded me a bit of Hemmingway. Stark and to the point with a few nice turns of phrase. It surprised me to learn that for years the book had been out of print The movie brought me here.
It surprised me to learn that for years the book had been out of print - I've read a lot worse and a lot less convincing gritty novels than this, and given the time period in which it was written, this must have seemed like a super lean, super-brutal crime thriller - as such it stands the test of time.
Kommentare zu Jack rechnet ab werden geladen Kommentar speichern. Filme wie Jack rechnet ab. Point Blank. His name is Carter, and he is here for revenge.
But it is interesting to look at Hunter and Get Carter together. Both are basically revenge books. Parker is clear right from the get go about who is going to go kill, there may be a little mystery to it, but he pretty much knows who he has to get to.
Where one is fairly straight forward crime fiction the other dabbles in the traditional mystery novel with a host of red herrings and things thrown in.
Personally, I prefer crime to mystery, but both are quite enjoyable when they are done well. And Get Carter does the mystery part of the story serviceably well.
A job has to be done so it is done. In Get Carter , Ted Lewis is taking a page from Raymond Chandler and the prose becomes almost a character in the book.
And from the introduction it sounds like he was, he was adding something to the crime novel as it was being written in England at the time, he was adding a roughness and some of Chandler.
His novels are possibly some of the best written pieces of American fiction of the 20th Century. But he is still a mystery writer.
And straight forward mysteries are not exactly fun to read. Mysteries are convoluted. They test the reader with their sleights of hand and misdirection.
The tricks reader needs to be taken along and walked along with the characters as the crime is committed.
There can be some mystery involved, but big inductive leaps and trickery will tax the credulity of the reader.
You want to see the intricacies that go into say pulling off a heist, but there needs to be a believability involved. And that is the problem I had with Get Carter.
As a mystery novel and as a piece of literary fiction it was spot on. For me the novel was too cute and it was the blurring of if this novel was striving to be a mystery in the classical British sense or an American crime novel that created a kind of weirdness that I found a little unsettling.
The book was probably better than the three stars I gave it, but in comparing it to other crime novels that I have enjoyed and loved I found it lacking.
It is a fun read though. View all 4 comments. Tell him. Originally titled Jack's Return Home this novel from Ted Lewis is the story of Jack Carter and his return to Doncaster from London after the death of his estranged older brother.
Jack is certain that it was murder and will have his vengeance in this life or the next. Taking place between Thursday Night and Sunday morning there's no time to blink let alone breath as Carter tackles his problems at an unrelenting pace.
Having as much in common with kitchen Tell him. Having as much in common with kitchen sink dramas such as Saturday Night and Sunday Morning as violent revenge thrillers like The Hunter the bodies still manage to pile up by the final page thanks to Carter's no holds barred attitude.
Lewis really captured the time and place with his prose, the description of working class lifestyles in Britain in the 70s painted in true grim light and the attitudes are guaranteed to shock in this age of cotton wool and insane politcal correctness.
Not that I'm advocating violence towards women, rape, murder and mayhem, underage pornography, bent cops, paki bashing or anything else that takes place during these three days but I think ignoring the fact that it actually used to happen and still does happen is even more absurd than those who perpetrate such things; there's no revelling in the gruesome details, this is the true bleak reality of it and Lewis makes it clear that it's not a glamourous life.
Incredibly this novel was the basis for three movie adaptations but I think it's fair to say that none of them captured the true essence of the book.
Michael Caine may have come closest in but having seen it a couple of times I know for a fact it was toned down and several aspects changed despite my having forgotten the entire plot by the time it came to reading the book.
Of the two American versions I would recommend the blaxploitation version Hit Man over the Stallone abomination every time. Ted Lewis died at the horribly young age of 42 but wrote several more novels after this one, I think after the brilliant promise shown in this novel I will have to check out more of his work.
Satisfyingly grim but I missed some leavening wit or intelligence. Good read but no Red Harvest. Having seen the original classic film version of " Get Carter " umpteen times over the years it was impossible for the film portrayals not to completely inform the story's characters in my mind's eye.
This familiarity also meant the story held few surprises though there are some interesting points of divergence. I would rather have approached this book without these preconceptions.
Like you need me to tell you, this is a classic 'avenging angel' tale, and Jack Carter, the avenging angel, wi Having seen the original classic film version of " Get Carter " umpteen times over the years it was impossible for the film portrayals not to completely inform the story's characters in my mind's eye.
Like you need me to tell you, this is a classic 'avenging angel' tale, and Jack Carter, the avenging angel, will not rest until there is full restitution for some serious sins.
Putting the film to one side, the book stands on its own merits. What Ted Lewis achieves brilliantly, in common with all great genre fiction, is to say something else about the world.
In this instance he evokes the late s, and the Britain I remember vividly as I grew up in the s. Möchte ich sehen.
Kritik schreiben. Er kehrt in seine Heimat Newcastle zurück, um der Beerdigung seines Bruders beizuwohnen, der betrunken bei einem Autounfall ums Leben gekommen ist.
Jedoch glaubt Jack nicht an einen Unfall. Er fängt an, auf eigene Faust zu ermitteln. Jack muss erkennen, dass er sich mit seinen Ermittlungen in gefährliches Terrain gewagt hat.
Doch der knallharte Profi lässt sich nicht so einfach abschrecken und als er herausfindet, wer hinter dem Mord an seinem Bruder steckt, gibt es nur noch ein Ziel: Rache!
Originaltitel Get Carter. Verleiher -. Produktionsjahr Filmtyp Spielfilm. Wissenswertes -. Budget -. Sprachen Englisch. Produktions-Format -.
Farb-Format Farbe. Tonformat -. Seitenverhältnis -. Visa-Nummer -.
Bring mir den Kopf von Alfredo Garcia. Jack rechnet ab. Visa-Nummer. John Osborne. Regie führte Mike Guten Morgen.
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