Maniac Film

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Aufenthalt in Russland jhrt sich.

Maniac Film

Die geschnittene Version dieses Films ist fast 8min kürzer als das Original und enthält zum Teil Auslassungen, die den Film nur schwer verständlich machen. Alexandre Ajas Maniac ein Film von Franck Khalfoun mit Elijah Wood, Nora Arnezeder. Inhaltsangabe: Frank (Elijah Wood) ist Besitzer eines Ladens für. Psychopath Frank hat ein gestörtes Verhältnis zu Frauen und ist zum Serienkiller geworden. Auf seinen nächtlichen Streifzügen durch New York jagt er seine Opfer, ermordet und skalpiert sie. Mit den Haaren und Kleidern der Toten dekoriert er zu.

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Psychopath Frank hat ein gestörtes Verhältnis zu Frauen und ist zum Serienkiller geworden. Auf seinen nächtlichen Streifzügen durch New York jagt er seine Opfer, ermordet und skalpiert sie. Mit den Haaren und Kleidern der Toten dekoriert er zu. Alexandre Ajas Maniac ist ein US-amerikanisch-französischer Psychothriller aus dem Jahr Er ist eine Neuverfilmung des Films Maniac aus dem Jahr. Maniac ist ein US-amerikanischer Horrorfilm aus dem Jahr Der Film des Regisseurs William Lustig zählt zum Subgenre des Slasherfilms. Die geschnittene Version dieses Films ist fast 8min kürzer als das Original und enthält zum Teil Auslassungen, die den Film nur schwer verständlich machen. MANIAC ist das Remake des gleichnamigen Kultfilms von , den viele als den spannendsten Slasher-Film aller Zeiten werten: eine intime, optisch gewagte​. Alexandre Ajas Maniac ein Film von Franck Khalfoun mit Elijah Wood, Nora Arnezeder. Inhaltsangabe: Frank (Elijah Wood) ist Besitzer eines Ladens für. "Maniac" uncut ab Das sind die Editionen. Nachdem der Film in den vergangenen Jahren bereits in zahlreichen deutschsprachigen.

Maniac Film

Meine Güte, Maniac. Einer der berüchtigsten Splatterfilme überhaupt, für jeden Bluthund ein absolutes Muss und immer noch eines der. In Maniac versetzt der geisteskranke Killer Joe Spinell New York in Angst und Schrecken, indem er Frauen für das bestraft, was seine Mutter ihm angetan ha. Alexandre Ajas Maniac ein Film von Franck Khalfoun mit Elijah Wood, Nora Arnezeder. Inhaltsangabe: Frank (Elijah Wood) ist Besitzer eines Ladens für.

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Zombie - Dawn of the Dead. Trending: Meist diskutierte Filme. Looking for some great streaming picks? Instead of an interesting take on serial murder and the mental illness that causes it, "Maniac" is just a filmmaker's attempt to showboat gory art. Later that same night, he arrives at Rita's apartment to give her a necklace, before then attacking Santa Clarita and tying her to the bed. The Hollywood Reporter declared, "The nerve-shredding score, by the mono-monikered Rob, salutes the music Italian prog-rockers Goblin Audrey Plaza for [Dario] Argento 's early horror-thrillers, the s electronica lending a deeply melancholic city-at-night Maulwurf Pauli. Movie Review Preview. Spinell creates a fully Mike Adler portrait of Stream On Filme monster that goes far beyond the surface. Available on Amazon. Release Dates. Horror Movies. In Maniac versetzt der geisteskranke Killer Joe Spinell New York in Angst und Schrecken, indem er Frauen für das bestraft, was seine Mutter ihm angetan ha. In Alexandre Ajas Maniac arbeitet Elijah Wood in einem Puppenladen und hat seine ganz eigene, grausame Art, diese zu verschönern. Meine Güte, Maniac. Einer der berüchtigsten Splatterfilme überhaupt, für jeden Bluthund ein absolutes Muss und immer noch eines der.

Maniac Film Česko-Slovenská filmová databáze Video

Film Horror - Pemangsa Manusia (sub indo) - Movie HD

I went out for a walk after watching this movie, and I still felt like I was looking through the eyes of a psychopath. Jennifer Heaton. Larushka Ivan-Zadeh.

Maniac is gripping from beginning to end and more intellectual than your average slasher flick. Rachel Bache.

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How did you buy your ticket? View All Photos Movie Info. A serial killer Elijah Wood removes his victims' scalps and attaches them to the vintage mannequins he restores in his late mother's shop.

Franck Khalfoun. Jul 1, La Petite Reine. Elijah Wood Frank. Nora Arnezeder Anna. Megan Duffy Lucie. Jan Broberg Rita.

Genevieve Alexandra Jessica. Sammi Rotibi Jason. America Olivo Frank's Mother. Franck Khalfoun Director. Alexandre Aja Screenwriter. Thomas Langmann Producer.

Alexandre Aja Producer. William Lustig Producer. Daniel Delume Executive Producer. Antoine De Cazotte Executive Producer.

Andrew W. Garroni Executive Producer. Pavlina Hatoupis Executive Producer. July 25, Rating: 2. July 5, Rating:.

June 21, Full Review…. November 27, Full Review…. August 2, Full Review…. March 2, Full Review…. May 16, Rating: 3.

View All Critic Reviews Dec 15, Elijah Wood stars in the brutal slasher film Maniac, a daring and imaginative remake of the cult classic.

The story follows a serial killer who stalks young women and scalps them. Taking a unique approach, the film is shot almost entirely through first person perspective, forcing the audience to see through the killer's eyes.

And, this is quite effective at creating a visceral experience. Yet something is lost by limiting the focus to first person, and at times it becomes a bit distracting.

Also, the characters are thinly drawn and exist only to be killed. Maniac is problematic, but there's something to be said about the bold and provocative filmmaking style.

Dann M Super Reviewer. The two develop a friendship, with Frank agreeing to help Anna put together an art exhibit using his mannequins.

Frank falls in love with her and starts taking medication to control his violent urges. Frank nevertheless kills again, stabbing a young dancer to death and attaching her scalp to another mannequin.

At the opening of the exhibit, Frank meets Anna's boyfriend Jason, as well as art director and Anna's mentor Rita.

Both mock him for his interest in mannequins, questioning his sexual orientation. Frank later follows Rita home, subdues her in the bathtub and hog-ties her on her bed.

Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage. The next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason.

Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know.

Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom.

Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver. Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious.

Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand.

Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies. Frank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown.

As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head.

Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.

Nearly the entire film is shot from the murderer's point of view , with his face being shown only in reflections and occasionally in the third person.

This "proved to be challenging on both a narrative and technical level for the filmmakers and cast.

Wood told an interviewer, "It's the most intriguing element of the film. It meant I could create this character in a completely different way.

It became about hearing him and feeling him rather than seeing him. And you only see him in flashes, so they become very intense character revealing moments.

I've never played someone so dark before. It was interesting to go there. None of us had ever made a PoV [point-of-view] film before.

There was this whole element of the character that was basically the camera. I've never worked so closely with a DP [director of photography] before.

I would be behind him the whole time, tapping on his shoulder to make him move faster or slower. It was a totally fascinating way to work.

Director Khalfoun told an interviewer, "He has this good guy sort of package. Usually an actor's baggage can hurt your character, but he really is just this good guy sort of persona so I couldn't wait to turn him into a horrible beast.

I think for his fans it's shocking too, and it adds to the shock value of the film. I wanted the audience to feel trapped in his body. The cinema plays a big part in that concept since you are stuck in your seat forced to experience the events with little control over the outcome.

Much like Frank is stuck in his body. You are therefore at the same time complicit and repulsed. Therein lies the horror. Maxime was effectively the character as well as me, and the rest of Frank had to be created locally through his inner monologue, which I recorded on an audio stage afterwards We approached the point-of-view thing with a certain naivety.

At first, we thought we'd use a body double. We quickly discovered that didn't work. So I was there the whole time, dancing around behind the camera, leaning forward to put my hand in the frame.

Every sequence was a learning process. Wood told another viewer, however, that they did use a body double 's hands in some scenes: "I also had a counterpart who could 'be' my left or my right hand because I couldn't always use both hands in a natural way, depending on where the camera was.

So we literally held things together and handed things off as if it were the same person. It was a lot of choreography! Most of the time I couldn't get both of my hands on either side of the camera, because the rig was too big.

So there'd be times when I'd be on one side with my right hand, and then my double would be on the left side with his left hand, so we'd have to work together a lot, like moving an object from one hand to another.

And if you're trying to do that with two different hands, it's pretty challenging to make that look pretty natural.

Blocking the scenes, Wood said, was "a 'puzzle' as they had to map out how each scene was covered within the context of the POV nature. I was thinking about how I was going to fit into the construct of a shot.

It had more to do with physicality than my emotional state of being except for the reflections that were relatively intense moments. Khalfoun said, "It was a real marriage between Maxime's camera work and Elijah.

You see Frank throughout the movie sporadically and Elijah was there to make sure the camera moved the right way and the lines were delivered correctly.

It was important he be there. It was the first time I had seen an actor work so closely and technically with the camera to guide it through where he would be or actually do.

Only some of Wood's dialogue was recorded while shooting. Wood said that the additional dialogue recording ADR was crucial to creating the character of Frank: "I knew that the character had to come alive when you didn't see him.

So most of that was done in the ADR stage in post-production; I felt the character was kind of created there, for the most part.

The film poster was designed by the award-winning Sam Ashby. The film was scored by French composer Robin Coudert , credited simply as "Rob". Bloody Disgusting judged the music to be "one of the best parts" of the film, [13] and Screen International wrote that the "'80s style synth score is reminiscent of John Carpenter ," [14] a horror movie director who has provided the musical score for many of his own films.

The Hollywood Reporter declared, "The nerve-shredding score, by the mono-monikered Rob, salutes the music Italian prog-rockers Goblin provided for [Dario] Argento 's early horror-thrillers, the s electronica lending a deeply melancholic city-at-night vibe.

A red band trailer was released May 25, [19] and the film was screened at the Cannes Film Festival the following day. Maniac opened in German theaters in December , and in other European countries in March DVD release company Blue Underground is cited in the opening credits.

The consensus says, "Shocking and bloody, Maniac is smarter than your average psychological slasher, but it's often undermined by its excessive gore.

Front Row Reviews called it "one of the strongest and most beautiful classic horror stories of our generation Complex magazine wrote that "having seen it, we can confirm that Maniac is an early frontrunner for 's best horror movie.

Megan Lehmann, who watched the film at the Cannes Film Festival for The Hollywood Reporter , wrote in her review, "Wood's limpid saucer eyes are used here to telegraph unhinged blood-lust and insanity, even if only sporadically, as he plays a sicko with mommy issues who scalps his female victims.

The twist, and what helps elevate the nasty, no-holds-barred Maniac from the grindhouse to an out-of-competition midnight-screening slot in Cannes, is that the entire movie is shot from the killer's POV — we only glimpse Wood in reflection and in photographs.

It's a daring decision, potentially stripping the film of the suspense of not knowing where the killer is and obliquely inviting the audience to have empathy with him.

For the most part Khalfoun and cinematographer Maxime Alexandre pull it off, although the technique more than once tips over from inventively arty to film-school-grad pretentious.

Slasher-movie fans, however, need not be put off by the stylized camera work and arty patina: this is down and dirty genre filmmaking, and the various slaughters, excruciatingly detailed scalpings and other atrocities are no less gruesome because of the highfalutin approach The movie is essentially a sadistic art-house bloodbath, with opera music and ballet dancers and funky little art galleries.

A reviewer for SciFiNow praised the film's "fresh and challenging approach" and said, "Khalfoun's version is arguably a more troubling piece of work than its predecessor.

By forcing us to see through the eyes of a man who brutally murders women, the issues of voyeurism and misogyny rear their ugly heads before you've even settled in

Maniac Film Ein Remake der Superlative. Cinema Ingolstadt Effekte von Tom Savini der übrigens auch selbst spektakulär abtreten darf plus Joe Spinell plus William Lustig ergeben eine aufwühlende Mischung, die sich bis zum bizarren Schluss keine Abkürzungen erlaubt. Die Egoperspektive hat mich überzeugt. Nachdem der Film in den vergangenen Jahren bereits in zahlreichen deutschsprachigen Sondereditionen Celine Dion Kinder wurde — unter anderem in diversen Mediabook-Varianten und als Büsten-Edition —, Serien Mit Hexen nun die offizielle deutsche Uncut-Veröffentlichung mit FSKSiegel. Gedreht wurde in New York vom Regisseur William Lustig löst sich von gängigen Slasherstrukturen und bietet weder einen Protagonisten noch eine Katharsis. Maniac - Clip Deutsch. Joshua De La Garza. Ein Wettlauf gegen die Zeit beginnt. Statt sie zu töten, scheint Frank sich jedoch Reign Staffel 4 Stream sie zu verlieben und trifft Limitless Deutsch Stream mit ihr. Morgane Slemp. In dem Geschäft, das seiner Familie seit Generation gehört, restauriert er Puppen aus verschiedensten Epochen und lebt ein eher zurückhaltendes und verschlossenes Leben. Ein Remake der Superlative. Dezember in die deutschen Kinos. Die Egoperspektive hat mich überzeugt. Nutzer haben sich diesen Film vorgemerkt. Green Room. Für die weibliche Hauptrolle war ursprünglich Argentos Freundin Daria Nicolodi vorgesehen, die dann durch Caroline Munro ersetzt wurde. Ähnliche Filme. Kommentar Streamkis.

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Please click the link below to receive your verification email. Cancel Resend Email. Maniac Add Article. Maniac Critics Consensus Shocking and bloody.

See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten.

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How did you buy your ticket? View All Photos Movie Info. A serial killer Elijah Wood removes his victims' scalps and attaches them to the vintage mannequins he restores in his late mother's shop.

Franck Khalfoun. Jul 1, La Petite Reine. Elijah Wood Frank. Nora Arnezeder Anna. Megan Duffy Lucie. Jan Broberg Rita. Genevieve Alexandra Jessica.

Sammi Rotibi Jason. America Olivo Frank's Mother. Franck Khalfoun Director. Alexandre Aja Screenwriter. Thomas Langmann Producer. Alexandre Aja Producer.

William Lustig Producer. Daniel Delume Executive Producer. Antoine De Cazotte Executive Producer. Andrew W.

Garroni Executive Producer. Pavlina Hatoupis Executive Producer. July 25, Rating: 2. July 5, Rating:. June 21, Full Review….

November 27, Full Review…. August 2, Full Review…. March 2, Full Review…. May 16, Rating: 3. View All Critic Reviews Writers: C.

Available on Amazon. Added to Watchlist. From metacritic. Spooktober My 50 favorite slashers. Noch anzusehen. Share this Rating Title: Maniac 6.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Joe Spinell Frank Zito Caroline Munro Anna D'Antoni Abigail Clayton Rita as Gail Lawrence Kelly Piper Nurse Rita Montone Hooker Tom Savini Disco Boy Hyla Marrow Disco Girl James L.

Beach Girl Tracie Evans Street Hooker Sharon Mitchell Second Nurse Carol Henry Deadbeat Nelia Bacmeister Carmen Zito Louis Jawitz Art Director Denise Spagnuolo Edit Storyline Frank Zito misses his mother, who was killed in a car accident years before.

Taglines: Run from this man! Edit Did You Know? Trivia Daria Nicolodi was originally cast to play Anna D'Antoni, but she was unable to go to New York for filming because she was still filming her scenes for the movie Inferno in Italy.

Goofs The nurse cries "Open up! Quotes Frank Zito : [ to the nurse victim ] Now now now, it'll be alright. Look, it's just a little inconvenient.

I know how upsetting it is! But it's just a little blood. It'll wash out. Look, you have to be more careful. Yes, getting very careless.

Identifying Rita with his mother, Frank voices his resentment and sense of abandonment, finally scalping Rita alive in a fit of rage.

The next day, Frank calls Anna, who tearfully tells him of Rita's murder and of her recent breakup with Jason.

Frank comes to Anna's apartment to comfort her but inadvertently reveals his guilt by mentioning things that only the killer would know. Realizing that Frank is the killer, Anna stabs Frank through the hand with a knife before locking herself in her bedroom.

Anna's neighbor, Martin, breaks into the apartment to save her, only for Frank to kill him with a meat cleaver.

Breaking down Anna's bathroom door, Frank puts her into a choke hold and knocks her unconscious. Frank loads Anna's body into his van and drives home, but as he opens the doors Anna regains consciousness and stabs him in the stomach with a piece of rebar attached to a mannequin hand.

Bloodied, Frank hobbles to the mortally injured Anna and scalps her as she dies. Frank returns to his apartment, attaching Anna's hair to a mannequin dressed in a bridal gown.

As he succumbs to his injuries, Frank suffers hallucinations of the mannequins transforming into his victims and begin to tear his body apart, finally ripping off his face to reveal a mannequin head.

Before he dies, Frank sees Anna, clad in a wedding dress, lower her veil and turn her back on him. Later that day, a SWAT team breaks into Frank's apartment, only to find Frank's corpse in his closet, alongside his collection of scalps.

Nearly the entire film is shot from the murderer's point of view , with his face being shown only in reflections and occasionally in the third person.

This "proved to be challenging on both a narrative and technical level for the filmmakers and cast.

Wood told an interviewer, "It's the most intriguing element of the film. It meant I could create this character in a completely different way.

It became about hearing him and feeling him rather than seeing him. And you only see him in flashes, so they become very intense character revealing moments.

I've never played someone so dark before. It was interesting to go there. None of us had ever made a PoV [point-of-view] film before. There was this whole element of the character that was basically the camera.

I've never worked so closely with a DP [director of photography] before. I would be behind him the whole time, tapping on his shoulder to make him move faster or slower.

It was a totally fascinating way to work. Director Khalfoun told an interviewer, "He has this good guy sort of package. Usually an actor's baggage can hurt your character, but he really is just this good guy sort of persona so I couldn't wait to turn him into a horrible beast.

I think for his fans it's shocking too, and it adds to the shock value of the film. I wanted the audience to feel trapped in his body.

The cinema plays a big part in that concept since you are stuck in your seat forced to experience the events with little control over the outcome.

Much like Frank is stuck in his body. You are therefore at the same time complicit and repulsed. Therein lies the horror. Maxime was effectively the character as well as me, and the rest of Frank had to be created locally through his inner monologue, which I recorded on an audio stage afterwards We approached the point-of-view thing with a certain naivety.

At first, we thought we'd use a body double. We quickly discovered that didn't work. So I was there the whole time, dancing around behind the camera, leaning forward to put my hand in the frame.

Every sequence was a learning process. Wood told another viewer, however, that they did use a body double 's hands in some scenes: "I also had a counterpart who could 'be' my left or my right hand because I couldn't always use both hands in a natural way, depending on where the camera was.

So we literally held things together and handed things off as if it were the same person. It was a lot of choreography!

Most of the time I couldn't get both of my hands on either side of the camera, because the rig was too big. So there'd be times when I'd be on one side with my right hand, and then my double would be on the left side with his left hand, so we'd have to work together a lot, like moving an object from one hand to another.

And if you're trying to do that with two different hands, it's pretty challenging to make that look pretty natural.

Blocking the scenes, Wood said, was "a 'puzzle' as they had to map out how each scene was covered within the context of the POV nature.

I was thinking about how I was going to fit into the construct of a shot. It had more to do with physicality than my emotional state of being except for the reflections that were relatively intense moments.

Khalfoun said, "It was a real marriage between Maxime's camera work and Elijah. You see Frank throughout the movie sporadically and Elijah was there to make sure the camera moved the right way and the lines were delivered correctly.

It was important he be there. It was the first time I had seen an actor work so closely and technically with the camera to guide it through where he would be or actually do.

Only some of Wood's dialogue was recorded while shooting.

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